“The Legend of Zelda: Symphony of the Goddesses” is in the middle of its epic US tour and only has a few cities left, so you still have some time to check it out… but you better get a move on! I was lucky enough to scoop up tickets to this production while it passed by Washington, DC last month, and I knew this experience was going to be special, but I had no idea just how incredible it would be. To better understand how such a fantastic Zelda spectacle could come to be, I reached out to the show’s executive producer, Jason Michael Paul, to find out. A simple e-mail interview with Jason made it clear just how passionate he is about video game music and sound production; his passion for both music and video games make him the ideal producer of all things Video Games + Music.
Who are you, where are you from, and how did you get into music/event production?
I am Jason Michael Paul. I was born in Alameda, CA and live in San Francisco. I have been working in the entertainment industry since I was 20-years old.
Everyone reading this knows what a historical franchise “The Legend of Zelda” is, and I think it’s safe to say you know this, too. In light of that, did you feel extra pressure to deliver something special? Did the fear of failing to meet the high expectations for Zelda fanboys/girls ever enter your mind during this production?
I always feel the pressure to deliver cutting-edge sound production. As with any project we take extra care and strive to deliver an authentic and original fan experience. Our motto is: “For the fans, by the fans.” It never entered my mind that we WOULD NOT meet the satisfaction of our fan base. It is our goal to exceed expectations and I believe we have done that with this production.
Video games and music are obviously a big part of who you are. Can you tell us more about that, as well as how you were able to successfully marry your two passions together?
It all started when I was an intern at The Kenwood Group. I was responsible for managing a video library for PlayStation. Obviously, Squaresoft was a big player at the time in the PlayStation catalog. It started way before that, though, when I was playing on consoles, but I started to get the idea for such a project when I was 20. After working and presenting classical and opera productions with the likes of Luciano Pavarotti and The Three Tenors, the idea of merging video game music presented in a classical concert format with the visuals became very clear to me. I was excited at the prospect to be the first [to do it]. Of course the idea came to fruition after playing a CD from a FINAL FANTASY symphony recording in Tokyo at a stadium in San Jose, Costa Rica. We were doing a sound check pre-concert for Luciano Pavarotti and I popped in this FINAL FANTASY CD, playing Zanarkand and then One Winged Angel. It really came to me right then and there.
When I got back to the States, I presented the idea to my client at Square Enix, and the rest is history. I’m truly blessed to be in the position that I am now with VGM. I still feel like there is a lot more to accomplish with this genre of music and live concerts. My concerts, “Dear Friends, More Friends, PLAY!” (www.play-symphony.com) and “The Legend of Zelda: Symphony of the Goddesses” (www.zelda-symphony.com) are truly my passion; but at the end of the day, I get the most satisfaction from seeing the excitement and joy from the fans. That is truly what makes it all worth it.
Did you work with Nintendo on this project? If so, what was the process like?
I have worked hand-in-hand with Nintendo on this project. That is the beauty of working with a company like Nintendo, as they are truly hands-on with everything that they do. The direction is clear and we both share the same vision as to where this project is going and will continue to go. They know the franchise inside and out, so the people with Nintendo are as passionate and knowledgeable about “The Legend of Zelda” as we are.
What’s your favorite Zelda game, and why?
My personal favorite is “Skyward Sword.” As you may or may not know, my company produced the orchestral CD that accompanied the release of “Skyward Sword.” To me, it was an honor and a privilege to be asked to produce such a project. Truly the highlight of my career. I am hopeful that we can do more recording projects with Nintendo.
Which character from the entire cast of the Zelda franchise do you relate to the most and why?
I would say Link because I always feel l am saving everyone.
If you had to pick another video game franchise to produce a symphony around, which would it be?
A show devoted to the Nintendo catalog or Bethesda’s Elder Scroll series.
What other games or gaming platforms do you enjoy playing?
Kingdom Hearts 1,2,3. PS3
Here’s hoping this is just the beginning of Jason Michael Paul’s trek into creating cutting-edge music experiences centered around video games, because what he has accomplished so far is nothing short of amazing. You can find out where to get tickets to this production if and when it’s in your area by checking out this post — you won’t regret it, “The Legend of Zelda: Symphony of the Goddesses” will exceed the expectations of even the pickiest Zelda fanboys/girls.